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Fridolin Jetzer's avatar

Great follow-up, Laeth. First-time commenter; longtime reader. Pardon the length of my comment…

I appreciate that you grouped Bruce’s “Magic of Analogue” post along with the others. I have long been of the conviction that true artistry depends upon a love of the material. And since whatever material the artist uses comes from another Being and is lent for the purpose, the artist via his artistry can be said to love this other Being. The tree yearns to lend itself to the use of a violin, the cabbage longs to be savored, etc. I think I first encountered this idea when I was young reading a story about the tree that lent its wood to be shaped into the cross. To bear Christ was glory to this tree. I have come across this theme in the music of the contemporary English folk group “The Longest Johns.” The blacksmith in their song “Hammer and the Anvil” only makes something with the consent of the hammer and the anvil:

--

"I thought to make a horseshoe, and asked my hammer thus

He said "I'll ask the anvil what you require of us"

The hammer asked the anvil, and she at once agreed

That they should meet together in the way that I decreed"

--

It was through the Johns that I first learned of Rudyard Kipling’s magnificent poem “A Tree Song” or “Oak and Ash and Thorn.” I love how Kipling gets across the idea of what material culture truly is, namely a record of the relationships between a nation of men and the Beings which comprise their environment. And some of these relations are not cordial. The elm in particular is singled out:

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"Ellum she hateth mankind, and waiteth

Till every gust be laid,

To drop a limb on the head of him

That anyway trusts her shade:"

--

I believe Bruce put it somewhere in his voluminous writings that what we call luck and chance are the products of Beings. Kipling’s fickle elm is a great example of that. Or Tolkien's Old Man Willow.

On another note, Bruce has talked before about how the love someone has for another person might influence their decision to join the Second Creation. Similarly, might it be that the love of an artist for his material, or the gourmand for his cabbage, might influence that Being to choose “redemption” as it were and incarnate in the Second Creation?

Links to the songs I referenced:

Hammer and the Anvil: https://www.youtube.com/watch?v=YGn7XgbBVms

Oak and Ash and Thorn: https://www.youtube.com/watch?v=mr1CM_yw68c

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